Eisele (West Germany)
1968–1975, Eisele Bekleidungsfabrik of Schussenried, Goldix Wool-Rich Cloth
1968–1975, Eisele Bekleidungsfabrik of Schussenried, Goldix Wool-Rich Cloth
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~ EU 40–42, US L
Measurements (cm):
shoulder to shoulder: 45
sleeve (shoulder to cuff): 52
chest (pit to pit): 60
length (collar to hem): 101
SKU: 901235
This is a wool-rich car coat or town coat produced in West Germany, most likely between 1970 and 1975. The labels identify the manufacturer as Eisele of Schussenried, operating under the Goldix line, with the designation Sonderanfertigung indicating a special manufacture or special-order production category rather than purely anonymous mass distribution. The coat is constructed from a heavily fulled flecked woolen textile displaying a mottled brown surface populated by darker inclusions and occasional longer guard-hair fibers visible at the face. Its silhouette is deliberately broad through the chest and body with minimal waist suppression, a configuration characteristic of the early 1970s movement away from the aggressively shaped forms of the preceding decade. The garment occupies an interesting position between tailoring and utility outerwear, borrowing lapel architecture from tailored coats while retaining a simplified industrial construction system intended for economical production and daily use.
I. Designer Origin & Brand Profile
The garment originates from Eisele Bekleidungsfabrik of Schussenried, a West German apparel manufacturer operating within the dense textile and garment-producing infrastructure of Baden-Württemberg. The designation Sonderanfertigung suggests either special-order production, retailer-specific manufacture, or a premium production category within the firm’s output. The GOLDIX label should not be interpreted as the garment maker. Its placement, graphic treatment, and separation from the principal manufacturer label indicate a textile trademark, cloth designation, or mill identity. Such dual-label systems were common throughout German-speaking apparel production, where manufacturers often promoted the provenance or quality grade of the cloth alongside their own company identity. The coat therefore documents not only garment production but also the collaborative relationship between textile mills and apparel factories that characterized much of postwar Central European manufacturing.
II. Brand Heritage & Industry Influence
Manufacturers of this type occupied an important position in the reconstruction and expansion of the Federal Republic’s textile and apparel sectors from the 1950s through the 1970s. Their influence was seldom expressed through runway presentation. It appeared through distribution networks, department stores, regional retailers, and specialty clothiers. The coat demonstrates the adaptation of tailoring traditions to industrial production methods. Its significance lies not in novelty but in evidence of how European tailoring conventions were translated into scalable manufacturing systems. If Paris supplied fantasy and Milan supplied polish, firms such as Eisele supplied actual coats to actual people during actual winters, which is a contribution history occasionally undervalues.
III. Garment Classification & Design Intent
This garment is best classified as a women’s car coat or town coat. The length falls below the knee but remains shorter than a traditional full overcoat. The generous chest measurement, dropped shoulder effect, broad lapel treatment, and uncomplicated vertical line indicate an outer garment intended for layered wear. The design objective appears centered on comfort, insulation, and versatility. It functions equally within urban commuting, shopping, office travel, and everyday cold-weather use. The coat’s visual language avoids formal evening associations and instead inhabits the territory of respectable daytime outerwear.
IV. Construction Methodology & Engineering
Visible evidence indicates machine assembly throughout the primary structure. The shell appears constructed using conventional lockstitch operations with topstitched reinforcement at major seam lines. The coat is fully lined. The front edge likely contains lightweight fusible or sewn-in reinforcement sufficient to support the button stand and lapel edge but insufficient to create pronounced chest sculpting. The shoulder treatment appears minimally padded if padded at all. Sleeve insertion is conventional set-in construction. The horizontal seam traversing the body introduces a yield-efficient panel division while also reducing fabric waste during cutting. Assembly sequencing would have prioritized pocket application, body panel joining, shoulder closure, collar attachment, lining insertion, and final edge finishing.
V. Technical Design Elements & Precision Detailing
The dominant design feature is the textile itself. The heavily flecked surface produces visual depth without requiring decorative interventions. Large metallic-finish buttons provide scale contrast against the dark wool ground. Patch pockets are integrated cleanly into the lower body and positioned to reinforce the coat’s utility identity. Topstitching around the collar edges and front facings remains visible, functioning simultaneously as reinforcement and visual framing. The details are not difficult to manufacture, but they are executed with consistency. This distinction often separates competent production from merely completed production.
VI. Style Nomenclature & Historical Evolution
The garment belongs to the broader lineage of the car coat, a category originating in early motoring apparel and subsequently adapted into civilian outerwear. By the late 1960s and early 1970s, car coats increasingly adopted relaxed silhouettes and simplified tailoring. The strongly fitted postwar coat gave way to straighter geometries and greater wearing ease. The broad lapel treatment reflects this transition. Earlier 1950s examples often featured more structured shoulders and sharper waist shaping. By contrast, this garment prioritizes volume and movement. It represents a distinctly early-1970s interpretation of the category.
VII. Fabric Composition & Textile Engineering
The shell appears to be a wool-rich heavily fulled woven cloth. Surface examination reveals irregular flecking, visible fiber migration, and scattered coarse fibers emerging from the face. Estimated weight likely falls within the range of 500–700 grams per square meter. The cloth displays substantial loft and thickness, contributing insulation while reducing fluid drape. Tensile behavior appears moderate to strong. Abrasion resistance is enhanced by the dense fulling process. The lining displays a smooth filament-faced plain weave or twill-derived structure with moderate reflectivity and low surface friction, facilitating layering. The relationship between shell and lining demonstrates a sensible balance between thermal retention and wear comfort.
VIII. Construction & Pattern Analysis
Pattern architecture is straightforward and industrially efficient. The front body appears cut with limited contouring. Waist suppression is minimal. The shoulder line extends beyond the anatomical shoulder point, creating a softened silhouette characteristic of the period. The collar is a conventional tailored fall collar integrated into a notch-lapel arrangement. Notch depth remains moderate, and the gorge line sits relatively low. The lapels roll gently without pronounced chest tension, indicating limited internal structuring. Stitch density appears consistent throughout visible areas. The coat was drafted for standardized sizing rather than individualized fitting.
IX. Structural Integrity & Panel Configuration
The body consists of large uninterrupted panels interrupted by a horizontal seam running across the coat’s width. This seam functions both structurally and economically. It permits efficient cloth utilization while introducing additional stability into the garment. Stress distribution occurs primarily along the button stand, pocket openings, shoulder seams, armhole circumference, and collar junction. The neckline demonstrates adequate support for the garment’s weight. There is little indication of heavy internal canvas. Structural integrity derives primarily from the inherent density of the cloth rather than hidden tailoring architecture.
The collar and lapel system deserves particular attention. The collar stand is shallow and integrated into a relatively open neckline. The lapels are broad enough to frame the face without dominating the torso. Their roll behavior suggests modest interfacing support concentrated along the break line. Because the chest lacks extensive shaping, the lapels rely on cloth memory and edge reinforcement more than on aggressive internal engineering. The result is stable, though not rigid.
X. Edge Finishing, Seam Termination & Closures
Edge finishing appears clean and production-oriented. Collar edges receive visible topstitching which stabilizes thickness while controlling roll behavior. Front facings are integrated into the button stand with minimal bulk. Buttonholes are machine worked. The large buttons distribute closure tension effectively across the front. Hem finishing cannot be directly inspected, though lining integration suggests a conventional turned hem secured through machine and blind-finishing operations. Collar corners are reasonably sharp given the thickness of the shell cloth. The lapel edges demonstrate acceptable control without evidence of extensive hand-finishing.
XI. Manufacturing Context, Production Scale & Industrial Feasibility
This garment sits comfortably within medium-scale industrial production. Nothing in its construction suggests mass-volume discount manufacture, yet neither does it indicate labor-intensive atelier work. The coat appears optimized for repeatable production runs using skilled factory operators. Labor concentration would have occurred during collar assembly, pocket application, lining insertion, and buttonhole production. The pattern minimizes cutting complexity and fabric waste. Production managers would likely have appreciated the textile’s forgiving visual surface, which conceals minor manufacturing inconsistencies that smoother fabrics tend to expose with merciless enthusiasm.
XII. Conceptual Influence & Psychological Design Intent
The design reflects the cultural movement toward informality that characterized much of Western European fashion during the late 1960s and early 1970s. Authority is present but softened. Tailoring conventions remain visible but no longer dominate the body. The coat projects competence, warmth, and accessibility. The textured cloth contributes an impression of durability and authenticity. It communicates utility without invoking occupational uniforms. The wearer appears prepared for daily life, which sounds unimpressive until one remembers how much of life is, in fact, daily.
XIII. Artistic & Aesthetic Direction
The aesthetic language is grounded in materiality. Visual interest emerges from surface texture, proportion, and scale relationships instead of ornament. The broad lapels create facial framing and establish the upper visual anchor. The substantial buttons act as rhythmic interruptions along the center front. The silhouette is columnar with slight outward movement below the chest. The coat aligns with the natural-material emphasis prevalent in European fashion during the early 1970s and avoids both the severe geometry of late modernism and the decorative excess that would arrive later in the decade.
XIV. Historical Placement & Contextual Analysis
The combination of silhouette, lapel proportion, shoulder treatment, textile selection, labeling style, and construction methodology strongly supports a production date between approximately 1970 and 1975. The low-structured shoulder, generous body volume, and broad notch-lapel geometry are especially persuasive indicators. Earlier 1960s garments typically display greater waist definition and more controlled shoulder architecture. Later 1980s examples generally exhibit increased shoulder prominence and altered lapel proportions. The coat occupies a transitional period in European outerwear when tailoring traditions remained visible but were increasingly adapted to contemporary concepts of comfort and movement.
Within collar history, the garment reflects the evolution away from narrow mid-century lapels toward wider early-1970s forms. The collar’s stance remains moderate, avoiding the exaggerated points appearing in more fashion-oriented garments of the same era. This moderation supports the assessment that the coat was intended for longevity rather than seasonal novelty.
XV. Use Case
The garment functions most convincingly during cold-weather urban movement. It begins its day over a knit layer, blouse, or lightweight jacket and accommodates additional clothing without strain. The broad chest and lowered armhole permit layering that a more fitted coat would resist.
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